Holly Pester
workshop of poetic texts and performance
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contact me

contact@hollypester.com

  • news

    • 'Word of Mouth' Group Show at the Cartel Gallery, Installation and Performance
    • Saturday Seminar at the Serpentine Gallery
    • Maintenant Poetry IX - The Camarade Project
    • SUNY Buffalo Poetics Plus
    • Electronic Voice Phenomena
  • twitter

    Tramshed3000: Yeah @hollypesty, @lizandjessica is right.
    1 week ago
    Mahfoozbegum: YEAH @hollypesty @lizandjessica
    1 week ago
    lizandjessica: what is the etiquette for demanding people follow you? @faithlandsman @hollypesty @kithumphrey @lauraedithguy @MattthewSmith @nichollash
    1 week ago
  • recent

    • ‘Word of Mouth’ Group Show at the Cartel Gallery, Installation and Performance
    • Saturday Seminar at the Serpentine Gallery
    • To Draw a Blank: Exhibition by Patrick Coyle
    • Maintenant Poetry IX – The Camarade Project
    • SUNY Buffalo Poetics Plus
    • Electronic Voice Phenomena
    • Uncanny Valley – Sound Installation by Nathan Jones and Holly Pester
    • News Piece
    • A Sea Shanty for Outer Space (A Space Shanty)
    • The Bury Poems
    • “I did not know till afterwards”
    • Young Lithuanian & British poets in collaboration
    • Danger Scale – recording of Maintenant Icelandic Poetry Event
    • V+L-A=K MAGAZINE Launch, 29th October 2010
    • Text Festival, April 2011
  • kinds of work

    • critical writing
    • live performance
    • news
    • News Piece
    • poetry
    • sound piece
    • Uncategorized
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  • links

    • MachineMachine
    • Regolith Works
    • twitter @hollypesty
  • how about

    This site features samples of original work by Holly Pester. Some texts are fragments of academic work while some are process pieces resting at this site for exploratory means.

    Holly Pester has been working with live poetry and critical writing for 6 years and is undergoing a practice-led doctorate at Birkbeck College, Contemporary Poetic Research Centre. The current title of her thesis is ‘Speech Matter: Transpositional Poetry and the Intermedial Field’.

Copyright Holly Pester, 2011. All rights reserved